Grey’s Anatomy Season 22: Jo Wilson’s Fate, Link’s Emotional Ordeal, and the Twin Babies Revealed

Creator:

Chris Carmack and Camilla Luddington

Quick Read

  • Season 22, Episode 7, ‘Skyfall,’ aired on January 8, 2026, resolving Dr. Jo Wilson’s cliffhanger.
  • Dr. Jo Wilson survived an emergency C-section, and her twin babies, initially with complications, showed signs of improvement.
  • Dr. Atticus ‘Link’ Lincoln faced immense emotional challenges, grappling with his own injuries and critical decisions for his family.
  • Actor Chris Carmack described Link’s Season 22 journey as a ‘one-two punch’ of trauma and new challenges.
  • The episode reinforced the season’s theme of hope amidst adversity and continued the show’s legacy of combining medical drama with deep emotional narratives.

After weeks of agonizing anticipation, ‘Grey’s Anatomy’ returned with its gripping midseason premiere, Season 22, Episode 7, aptly titled ‘Skyfall,’ on January 8, 2026. The episode plunged viewers back into the heart-stopping cliffhanger surrounding Dr. Jo Wilson’s life-threatening pregnancy complications and the precarious birth of her twin daughters. What unfolded was an emotional maelstrom, particularly for Dr. Atticus ‘Link’ Lincoln, who found himself navigating an unimaginable ‘one-two punch’ of personal trauma and the fight for his new family’s survival.

The medical drama, a cornerstone of primetime television, masterfully delivered on its promise of high stakes, resolving Jo’s immediate peril while setting the stage for a season rich with themes of hope, resilience, and the arduous journey of healing. As the doctors of Grey Sloan Memorial grappled with the aftermath, the episode underscored the show’s enduring ability to blend intense medical scenarios with profound human emotion, leaving an indelible mark on its dedicated fanbase.

A ‘One-Two Punch’ for Dr. Atticus Lincoln

For Dr. Atticus ‘Link’ Lincoln, portrayed by Chris Carmack, Season 22 has been an unrelenting gauntlet. The ortho surgeon, known for his generally enthusiastic demeanor, found himself stripped of his usual levity, first by barely surviving the devastating hospital explosion that concluded Season 21. That incident left him benched from the operating room, struggling with his own injuries and the psychological toll of losing colleagues and a patient. Just as he began to find a semblance of recovery, life delivered what Carmack described to TheWrap as a ‘one-two punch’: the severe complications in Jo’s high-risk pregnancy.

Carmack articulated the profound impact of this storyline, calling it ‘a gift’ despite its intensity. ‘It felt like such a one-two punch, where he was just starting to recover and just starting to feel like himself, and then he’s met with these new challenges that involve his new wife, his twin daughters,’ he shared. The winter premiere, ‘Skyfall,’ saw Link pushed to his absolute breaking point, forced to make critical decisions for his newborns while his beloved wife lay unconscious, her life hanging by a thread. He felt utterly powerless, unable to help surgically due to his own injured arm, and paralyzed by the fear of losing Jo, whom he considers the love of his life.

This profound sense of helplessness led to some of the episode’s most poignant scenes. Link found solace, or perhaps just a moment to grapple with his despair, in the hospital chapel. There, amidst flickering candles, he wrestled with his faith and hope, seeking answers from a higher power. This powerful moment was shared with Richard Webber (James Pickens Jr.), who himself was confronting his own demons after revealing a prostate cancer diagnosis to Bailey. Carmack reflected on the intensity of shooting these scenes, particularly the chapel sequence, noting how the meticulous crafting of the story allowed him to ‘be Link and feel those feelings’ in a truly special way.

Jo Wilson’s Miraculous Survival and the Twins’ Hopeful Turn

The central tension of ‘Skyfall’ revolved around the immediate aftermath of Jo’s emergency C-section, performed by Winston (Anthony Hill), after her heart gave out during surgery. The procedure, fraught with peril, ultimately saved the twin babies, though not without significant complications for both mother and children. As reported by TV Insider, the baby girls, tentatively named Baby A and Baby B by Link who wouldn’t dare name them without Jo’s input, faced their own battles: one born with a heart defect, the other requiring a C-PAP machine for respiratory issues. They were immediately placed in the NICU, their tiny lives hanging in the balance.

While Jo remained unconscious, Link bore the crushing weight of their care, navigating complex medical decisions and clinging to any sign of hope. The turning point arrived with a small yet profoundly significant victory: one of the babies ‘peed!’ This seemingly minor bodily function became a beacon of exuberant joy and relief for Link, the first tangible sign that his daughters might pull through. Carmack recounted the powerful emotion of that moment, a stark contrast to the dread that had consumed Link. It was a ‘big win’ for the overwhelmed father, a small crack in the cloud of despair. And then, in the episode’s final, breathtaking shot, Jo Wilson opened her eyes, a miraculous awakening that answered Link’s prayers and promised a future for their fractured family.

Showrunner Meg Marinis had assured Carmack that this meticulously crafted storyline would ‘pay off,’ and it certainly did, delivering an emotional crescendo that resonated deeply with viewers. The relief of Jo’s survival and the babies’ improvement offered a much-needed breath for characters and audience alike, reinforcing the season’s overarching theme of hope amidst adversity.

Navigating the Aftermath: Scars, Parenthood, and Uncharted Territory

While the immediate crisis has passed, the road ahead for Jo and Link, and indeed for the entire Grey Sloan family, remains complex and challenging. As Carmack observed, the couple now faces the daunting task of processing everything that has transpired. Link, for instance, is still reeling from the hospital explosion and his own injuries, a trauma that has been overshadowed by Jo’s life-threatening ordeal. The journey to recovery, both physical and emotional, will be its own arduous battle, requiring them to step back and re-examine their priorities.

The question of Link’s return to the OR looms, as does the removal of his sling, a physical manifestation of his ongoing recovery. Carmack confirmed that time will pass, and the sling will eventually come off, but the emotional scars will linger. He anticipates that Link will actively seek moments of levity and joy, but ‘there’s definitely this cloud hanging over Jo and Link and their entire family.’ This sentiment highlights the show’s realistic portrayal of trauma’s long tail, acknowledging that resolution is rarely instantaneous or absolute.

Beyond Jo and Link’s immediate struggles, the episode also wove in other ongoing narratives, painting a picture of a hospital community constantly in flux. Richard Webber’s prostate cancer diagnosis adds another layer of personal struggle within the senior staff, while the younger residents navigate their own complex relationships. Simone Griffith (Alexis Floyd) and Wes Bryant (Trevor Jackson Jr.) explored their growing attraction, breaking a previous pact, and Benson Kwan (Harry Shum Jr.) continued to navigate his non-committal ‘situationship’ with Kavita Mohanty (Anita Kalathara). These parallel storylines underscore the multifaceted nature of life at Grey Sloan, where personal dramas unfold against a backdrop of life-and-death medical emergencies.

‘Grey’s Anatomy’s’ Enduring Appeal: A Story of Resilience

‘Grey’s Anatomy’ continues its remarkable run, having premiered Season 22 in October 2025 and reaching a historic milestone with its 450th episode. The series, which airs Thursdays on ABC and streams the next day on Hulu, consistently delivers its signature blend of medical drama and deeply emotional relationships. Showrunner Meg Marinis emphasized to Shondaland that a central theme for Season 22 is ‘hope,’ a concept that is repeatedly ‘dashed at the beginning of our season with our destroyed hospital and what’s happened to some of our characters,’ but ultimately resilient.

Even with original cast member Ellen Pompeo appearing in a limited number of episodes, her role as executive producer and providing voiceovers ensures Meredith Grey’s enduring presence. The show’s ability to evolve while retaining its core essence, focusing on the interconnected lives of its doctors and their patients, is a testament to its creative strength. Fans are also eagerly anticipating the return of Amelia Shepherd (Caterina Scorsone) from her sabbatical, a storyline that Carmack teased as a ‘surprise for another day,’ promising more twists and turns in the unfolding narrative.

The ‘Skyfall’ episode serves as a powerful reminder of ‘Grey’s Anatomy’s’ enduring formula: a relentless exploration of human vulnerability and strength in the face of overwhelming odds. It’s not merely a story of survival, but a profound narrative about the arduous journey of healing, the redefinition of hope, and the unbreakable bonds forged in the crucible of life and death. The resolution of Jo’s cliffhanger, while a moment of profound relief, is merely the opening chapter in a larger, more intricate story of recovery and resilience for Link, Jo, and the entire Grey Sloan Memorial family.

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