A New Chapter in Independent Broadcasting
Former KIIS FM radio host Kyle Sandilands is preparing to launch his independent venture, Kyle Sandilands Live, on August 10, 2026. The move marks a significant shift for the veteran broadcaster, who is bypassing traditional radio networks in favor of a direct-to-consumer digital model. The program will be hosted on a dedicated mobile application, requiring listeners to pay an annual subscription fee of $99.99.
Sandilands has begun assembling his production team, confirming that former KIIS FM executive producer Jamiee ‘Mayo’ Blazquez will rejoin him in the same capacity. Furthermore, journalist Mary Madigan, formerly of news.com.au, has been tapped as the show’s newsreader and content contributor. The production will also feature a documentary series titled At Home With Kyle, which is set to premiere on the platform on July 27, 2026.
The Legal Landscape and ARN Settlement
The launch follows a period of intense legal and professional upheaval. In June 2026, Sandilands reached a $12 million settlement with his former employer, ARN Media, following the cancellation of the long-running Kyle and Jackie O show in February. As part of that agreement, Sandilands is set to receive $1.5 million in advertising services on ARN platforms over the next three years. However, the legal fallout for his former co-host, Jackie ‘O’ Henderson, remains ongoing.
Henderson is currently pursuing a wrongful termination lawsuit against ARN Media, seeking $82.25 million in damages. She alleges that her dismissal was in violation of the Fair Work Act. In a recent development, the Federal Court has ruled that ARN Media may access the affidavits provided by Sandilands and his manager, Bruno Bouchet, as part of their defense strategy against Henderson’s claims. Henderson’s legal team had opposed the use of these documents, but the court’s decision allows the network to utilize them to address the circumstances surrounding the dissolution of the partnership.
Industry Implications
The transition to a subscription-only model signals a potential shift in how high-profile talent may monetize their audience outside of established corporate radio structures. By utilizing video-centric calls rather than traditional radio phone lines, the show aims to foster a more interactive, digital-first community. While the $99.99 annual price point is a notable hurdle for casual listeners, it reflects a bet on the loyalty of Sandilands’ core demographic. As the industry watches, the success of this model could influence future contract negotiations and independent media strategies for other major radio personalities.