A Shift in Runway Representation
Milan Fashion Week, which ran from September 22 to 28, 2026, became a stage for two of Italy’s most prominent fashion houses to redefine their relationship with their consumer base. At the center of the discourse were Gucci’s debut under Demna and the first Moschino runway show led by newly appointed creative directors Loris Messina and Simone Rizzo, as reported by Vanity Fair.
The underlying reporting is available from vanityfair.com.
Demna’s Gucci show aimed to present a holistic vision of the brand, transforming the runway into a stylized, crowded store environment. The collection sought to bridge the gap between high-fashion aristocracy and the broader, often overlooked, mass-market customer. By casting a mix of established supermodels—including Anok Yai and Alex Consani—alongside cultural figures like influencer Tina Leung and socialite Olympia of Greece, Demna attempted to project a vision of Gucci that is both aspirational and inclusive of diverse pop-cultural archetypes.
The Moschino Approach: Community-Driven Realism
In contrast to the highly curated, store-like atmosphere of Gucci, Moschino opted for a literal integration of the “real world.” Messina and Rizzo, who previously founded the brand Sunnei, cast hundreds of local Milanese residents, including photographers and writers from their creative circle. The runway show featured these individuals walking against a stream of commuters, a visual metaphor for the brand’s intent to move against the grain.
According to participants like photographer Giacomo Cabrini, who walked in his own clothes, the show successfully captured a multifaceted, authentic Milanese spirit. Elisa Carassai, an editorial consultant, noted that the casting reflected the strength of the independent fashion community in Milan. By having non-professional models wear their own styles alongside the collection, the designers emphasized that there is no singular definition of “Milanese style.”
Stakes for the Italian Luxury Sector
The shows occur against a backdrop of financial scrutiny for the industry. Kering, Gucci’s parent company, has faced a slump in sales, making the brand’s ability to communicate a clear retail proposition vital. While Demna’s show was praised for its production, critics noted that the replication of the “real world” felt at times like a parody of the brand’s own customer base. Meanwhile, Messina and Rizzo’s approach for Moschino suggests a pivot toward a more irreverent, community-focused identity for the historic heritage label. Both houses are now tasked with proving that these runway narratives can translate into sustained commercial growth in a competitive global market.

